moderne wandbilder 3d

moderne wandbilder 3d

hello and welcome to my new video, how to draw a city street view in 1-point perspective, step by step, in this videoi'm going to show you one way to draw a city in one-point perspective and to dothat we're going to start with the horizon line, which is a horizontal linewhich will be towards the bottom of the page and that will be the line whichwill be between the sky and land and on that we draw a dot in the center and thenfrom that we draw an angle line going towards the right and then another angle line, a diagonal line going towards the left, now these two lines will be theroad which are going towards the dot which is the vanishing point.

now from this vanishing point in thecenter of the horizontal line we need another line coming up towardsthe left which will be the height of some of thebuildings on the left hand side of this street, and then we'll need another line goingtowards the right which will be the height of most of the tops of thebuildings on the right hand side of the street, so we have a basic structure for thestreet already in place, now we'll put a vertical line, starting on the diagonal,going down and then from that vertical

line right touch dragon line will draw aright angle line towards the right and this will be the start of the side ofone of the nearby buildings in our street and then add another verticalline and then we have the side rectangle of the nearest building, if i draw yetanother vertical line again from the diagonal, that will give me the length ofthe building and then i can draw a triangle on the nearest side of thebuilding and that will give me the pitch of the roof, next i need to work out the angle herethat goes to the vanishing point, i won't draw the line all the way along, just tosome extent and sort of imagine it going

to the vanishing point, and then i'll copy thediagonal line of the pitch of the roof for the further line of the pitch of theroof and therefore i got my first basic building, next to go into anotherbuilding which can be behind this first building, with a tiny gap between two, so the vertical line is slightly to theleft of the far side vertical line of the first building, then i read it across and with thehorizontal line and then i put another pitched roof for the first few buildings, i don't know why but they are going tohave pitched roofs, and i'm sort of

visualizing the diagonal line goingtowards vertical without drawing it all the way along, and then i need to work out here ifthere's going to be any part of the side of the roof that i'm going to see, soit's gonna be a really small thin sliver of the roof, but i'll put it in any wayand i can work that out again by reading to the vanishing point, now on the lefthand side i need some buildings here so i'll put a vertical line quite close tothe left hand side and then i'll put another vertical line and that this willbe the facade of the first building that will draw on the left hand side,

now this budding divided into equalstripes and all of these will be like floors of the building which will go, ifthey were continuous lines, to the vanishing point, and then i also use this technique tocreate the tops of the doors or maybe the bottoms of the windows or topsof the windows on the right hand side, just by putting some lines and diagonallines, which again will always go towards the vanishing point, if they were to continue from where they are, so, next i will put a little door in herefor the nearest building on the right hand side and then on the left-hand sidei'll sort of echo that and put a door

structure here, reading across from thevanishing point to find out where the top of the door goes, the angle of thetop of the door, and it's just up to me where the vertical line will go, and theni'm going to extend the vertical line on the left-hand side to make this buildingtaller, indeed i'll make the building to theleft of it taller, because that will make it seem nearer and then i'm going toplace another building, again not right next to the building of stripes, but alittle gap in between it and then the far wall of it as well and thesevertical lines always need to be vertical like the sides of your paper,

the left and right hand sides your paper,now this building, i'm going to make it a little bit more complicated so i put a little roof in here, like apitch roof triangle and then i can read across from the tops of these to theleft that sort of 90 degree angles, so thatthey're parallel to the horizontal line that we did earlier on, and then thatwill create the top of the build and then, i am imagining this as some sort ofchurch, i might put a window in here so i'mworking out from the other diagonal lines i have already got, and knowing where thevanishing point is, i'm working out the

top and the bottom of the window first,because i know that the vertical lines are just going to be vertical, i'll put in some small markings withinthe window, just to show that it's an area which has some complexity to it, andthen below the window i need some sort of door or entranceway to this buildingand, i've made it quite large here, i'll probably put in in a doorway orsome stairs in here, just to break it down into a morereasonable size quite often churches you have a big doorand within the big door there is a smaller door, anyway i'm just making up these buildings,as sort of interesting shapes and here

i'm going to divide this building up into vertical lines and i think this will help with the structure of this building, next on the right hand side i think i need a few more buildings, soagain i'm going to do a vertical line which isn't touching the previous lineand then i just top and tail it with a right angle going towards the right, thenthat will be the side of the building, and then i'll work out where the top ofthis new building go and how far back it will go, i don't go too near to thehorizontal line and the vanishing point because otherwise it will look like an endless building, so you can stop these buildings quite short

by making the vertical lines quite closeto each other, particularly as they get nearer and nearer to the vanishing point, and here i will just put in some windows, it's quite a good idea when you're doing windows, as you do the vertical lines onthem, that you just read them down so that the windows on the buildings thatyou're producing are symmetrical and in line with each other, it will just look, make it look morelike a building, so here on the left i feel that i need a taller building, so i might just increase the size of some aspects of this building on the left

and here the line this that i've justput in would be going more or less to the vanishing point and then here's yetanother vertical line and i think rather than have this just a box like,cuboid shape, i need to put some lines on its like thelines in the lower part of the building, but i'll do these lines a little bit nearerto each other than the first time that i did it and again i'm reading from the vanishingpoint, so i can sort of visualize it in my mind's eye where these lines wouldend up, they're not doing all the structurelines or scaffolding lines because i'm

just using a pen on paper and if i did all the working out lines, it would get too complicated for you and me, so i justsort of making it up as they go along, which means that every line that i do, ineed to keep, so these lines on the, going towards the left, which are horizontal,they're nice and straight forward lines and they give some solidity to thebuilding, so we've got a corner of building there and then beyond thechurch and do some smaller buildings or some of them will be smaller, but some ofthem will just be smaller because they're further away, but they might actually bebigger buildings than the buildings that are nearer, i think that would be quite funto do,

so some of the buildings can be abovethe line that's we originally did, which was the line which showed where most of the buildings will stop and here i think on the left hand side i will draw two bigpanels, not quite sure what they are, but they'll just make the nearest part ofthe building seemed quite up close, because they're bigger shapes and thenhere towards the vanishing point i'll do some smaller buildings, again a gapthat's pretty small building there so it may be in the next building a bit tallerand then i'll just extend that above the line and then it's quite nice i think,when buildings sort of tucked behind other buildings, it gives a nice sense ofspace and you can create this space that

you wish to achieve, so on the left-hand side i think i have a taller building which is far away the base of the skyscraper, so put thatin, it's a bit like a cereal box and then i'll do the lines along here, so because we've got most of the shapes in now i'm going to speed up this video a little bit, we're about, just over nine minutesinto the video, so i just put in the pavements of the streets along theeither side here, so a lot of the things from this stageon i'm just repeating so on the

right-hand side i put a big box shape... and then on the left hand side i"ll make this tower, this skyscraper,quite thin, and have a little gap in between itself and the building to itsleft, just to create some tension and then put some lines down on one sideof the building and not really a new shading but i just give the illusion ofshading and tone a little bit, by how close i keep some of the lines, so alongin this building on the right, i just do a few dashes at the top andthen i can read those lines down and then i get some, repeated, some windowsand then just put a roof on this early

building, i think on the right hand sidei'm going to have to invent something on the first building that i did, just tomake it look a bit more complicated because it's got the structural lines ofthe first few lines that we did on the drawing, on left hand side, with thischurch, i'm doing some horizontal lines which are diagonal, because they are inperspective, going to the vanishing point putting the roofs and not making themjet black, but just putting them making them a little bit darker by adding linesto them and again vertical lines on this building and thenhorizontal lines going towards the vanishing point, so at this stage i'm trying to get some scale to the buildings,

i think i want to make it a little bitmore dramatic, so i'm going to put some more buildings in the background as ispeed up this video a little bit more again, because the next stage really is just to put many many more windows in and they'll need to follow the rules thebasic structure of a one-point perspective drawing, which is keeping allthe verticals vertical, all the horizontal horizontal and then all the lines whichare horizontal but are going away from us at an angle, they'll need to end up atthe vanishing point, so it's a simplified way of seeing things it's not really what reality lookslike, but it's quite a useful thing,

it is a useful way to depict 3-dimensional scene with piece of paper and a pen in a two-dimensional way, sospeeding along here you can see the developments of putting more and morebuildings in, well i hope you liked this video and ihope it's useful for your own drawing! please subscribe to my youtube channelcircle line art school, for many many more videos... thank you very much for watchingand see you next time!

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